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Actor Ned young was stripped of his credit on the film as a result of his volatile appearance before the house Un-American Activities Committee. In addition, beginning February 25, columbia had rushed through production of man in the dark in nineteen days and managed to have it open two days before the much-heralded house of wax premiere in New York city. The first 3-D feature motion picture produced by a major studio didnt hurt business for wax one bit, although i imagine jack warner was not terribly thrilled with Harry cohn. The gala world premiere took place on April 10, 1953 at the magnificent 3,600-seat Paramount Theatre on Times Square. . All the stars from the film were in attendance, and the film proved to be a tremendous hit, playing forty days and bringing in 531,000 at the paramount Theatre alone. Boosting ticket sales was the stage show headlined by rca victor recording artist Eddie fisher, making his first appearance on stage after a tour of duty in Korea. . he performed such hits as "Any time "I'm Walking Behind you "Wish you were here" and "Tell me why." The bobbysoxers lined up for hours to see the popular crooner and filled the massive theatre for six shows a day. There was some debate concerning the enormous appeal of this combination stage and screen show. Rca felt that Eddie fisher was bringing in the crowds while warner Bros.
Taking advantage of the visiting showmen, jack warner arranged three days of screenings for 653 exhibitors to see two reels from wax and one reel of completed sequences from the charge at feather river. Praise was unanimous for the superb quality of the stereoscopic cinematography which showed a great deal of improvement over the 3-D previously seen in bwana devil. The entire industry was talking about house of wax and American Cinematographer published an article discussing the unique technical challenges faced by the cinematographers. The studios publicity department went to work on selling the film. The pressbook featured many exploitation suggestions including an impressive full-color, die-cut seven-foot standee for theater lobbies.
They even alma promoted a tie-in with the Fli-back. To sell promotional paddleballs. De toth had utilized Reggie rymal as the carnival barker as a way to bring the audience back into face the movie following the intermission. After this sequence, in a sly reference to the gimmick, vincent Price states Once were established, we wont need that sort of thing. There was one piece of negative publicity just prior to the premiere.
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After hearing the news, he had a case of Jack. Daniels delivered to de toths door. Prices make-up for his after-the-fire-face took an average of three hours to apply and was hideously uncomfortable. The actors ears had to be twisted and bent, his nostrils twisted and flared, and his mouth filled with disfiguring vette dentures. The grim visage was the creation of george bau, under contract to warners and one of the most skillful makeup artists in Hollywood. Photography began under the direction of Bert Glennon but after he became ill during the first week of shooting, the job was taken over by peverell Marley, with help from Robert Burks, who went on to become Alfred Hitchcocks key cameraman. Lothrop Worth, the camera operator and Natural Vision engineer, and Howard Schwartz, one of the natural Vision camera assistants, also moved on to become directors of photography. The music was composed by david Buttolph, with orchestration by maurice de packh. The score includes the particularly eerie phantoms Theme, which creeps in at odd times in the film, anticipating the horror about to unfold." Exhibitors from around the country, totaling 4,600, arrived in Los Angeles on March 20 for a weekend of CinemaScope demonstrations at 20th.
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Reporters had a field day with the fact the de toth only had one eye. According to time magazine, when de toth was confronted with this fact, he replied, beethoven couldnt hear music either, iets could he? The set design was simple and straightforward. The concept of the wax museum at the turn of the century was well suited to 3-d and was effectively laid out by the designers using a good deal of stage space. The wax figures were created by two burbank artists, katherine cecilia stubergh and her daughter, katherine marie. Filming began on January 19, 1953 using the natural Vision equipment and ended just twenty-eight days later at a final cost of only 680,000. Even Jack warner was surprised by the speed and efficiency of the production.
Was first out of the gate to license the natural Vision camera system used. Bwana devil and announced production of their first 3-D film on December 21, 1952. Acclaimed 3-d expert Dan Symmes wrote the following in 1982 for his book amazing 3-D: "Jack. Warner had been the first studio head to use sound and he wanted to lead the charge into 3-D. He had a director on the lot, Andre de toth, who had knowledge circle of 3-d and was anxious to do a 3-D picture. De toth had been intrigued by 3-D since the early 1940s. . he wrote an article on the merits of the process for the hollywood Reporter in 1946. .
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"Anyone with slightest interest in this subject will be well rewarded for perusal of the 3d film Archive, with lengthy stop at its house Of Wax exhibit." "Bob Furmanek's text contains more prime research than i've ever seen on the film." "As always, bob Furmaneks. an In-Depth look at house of wax by bob Furmanek and Greg Kintz. The most successful 3-D film of the 1950s and one of the greatest stereoscopic features of all rajasthan time has just been restored from the original 35mm ycm separation masters. The restoration is stunning and weve never seen house of wax look this good before. But first, some background on this landmark 3-D production. Arch, obolers independently produced, bwana devil had its world premiere in Hollywood on november 26, 1952 and set the box-office on fire. Following the phenomenal success of the first 3-D feature film in color, every studio in Hollywood quickly made plans to jump on the 3-D bandwagon.